Description: At the luxurious Roarke Palace Hotel, a maid walks into suite 4602 for the nightly turndown — and steps into her worst nightmare. A killer leaves her dead, strangled by a thin silver wire. He’s Sly Yost, a virtuoso of music and murder. A hit man for the elite. Lieutenant Eve Dallas knows him well. But in this twisted case, knowing the killer doesn’t help solve the crime. Because there’s someone else involved. Someone with a more personal motive. And Eve must face a terrifying possibility — that the real target may, in fact, be her husband Roarke…
I know it has been absolutely ages since I last posted a blog post, but this is in part due to the fact that I have been on holiday for two and a half weeks. I am also shamelessly behind on reviews, but I will catch up on those at some point, I promise. I just don’t know when yet.
With that brief news out of the way, I found myself pondering science-fiction literature recently, mainly because I have started Kim Stanley Robinson’s Mars trilogy (Red Mars, Green Mars and Blue Mars).
Over the past couple of weeks I have been re-reading the entire Harry Potter series. It was a very interesting and rewarding experience, since I don’t believe I’ve read any of the books since Deathly Hallows came out, but it has also left me with rather a lot of questions.
Some of these questions are simple musings that I don’t really expect an answer to, others feel almost like plot holes, or at least things that could have been explained but weren’t. I would be very interested to hear other people’s views on any or all of these questions.
A week ago I gave a detailed, blow-by-blow account of how the first part of my Prologue went from First Draft status to Second-Draft-after-the-nitpick. Today’s post takes a closer look at the second half of my prologue, which is where things get really tricky.
No, really. The reason for this is that while I’ve still got the first draft, I’ve now overwritten the second-draft-before-the-nitpick version. This was a bit silly, I know, but I’m not much for saving stuff that I’m not actually going to use. I’ve been able to salvage some from e-mails (yay for editing through Googledocs!) but not all of it. Still, it’ll probably make this post a lot less waffly, so let’s crack on anyway!
A few days ago I promised to illustrate my editing process with an actual example, so you can now see how my prologue has evolved from its first draft version to the second-draft-after-the-nitpick-edit version. The status is therefore that it might still change, but probably not drastically. I’ll tackle things a paragraph or a sentence at a time, to give a good idea of where it started and where it’s ended so far.
I have started on the full rewrite of my third novel, now that the first draft is finished, and I got the idea that it might be interesting to give an insight into the rewriting/editing process that me and my friend Hillary use. Our working methods are pretty similar, mainly because I’ve adopted her way of working, which suits me quite well. In essence, I write a first draft, of which every chapter is sent to Hillary as soon as I finish it for her first impressions. Any comments she gives me are stored away for use in the rewrite (usually in my head, though I’ve started to actually write them down. I rely far too much on my memory sometimes).
Take your chance to snap up this awesome book for free, then buy the sequel cheap! I’ve been raving about this for ages, and it’s not just because the author is a very good friend, she is a genuinely awesome writer.
Hey folks! While I’m off at the SOE Live convention peddling my wares, I’ll be running a free Kindle e-book promo through Amazon for my first book, The Light of Kerrindryr! The promo will run from August 14th – 18th.
Also, Book 2, The Splintered Eye, is still at its usual low price! If you’ve been interested but haven’t had the chance to grab them, now is a great time!